I use collaged abstracted biomorphic shapes, objects and graphics to tell stories of the Black experience. The forms have symbolic and tactile connections even though they’re non representation. My titling of the pieces add clarity to the stories behind the work. The works refer to different periods of historic relevance throughout the Black diaspora, whether it be the transatlantic slave trade, the American Civil Rights Movement or the Haitian Revolution.
I use the abstracted form as metaphor for the Black body in that its adaptability and resilience has been a defining aspect of our existence as a race throughout the history of civilization. The use of found objects represents the diversity of cultures, philosophies, and physical features Blacks possess universally. I feel these differences should be celebrated and not feared by ourselves and the rest of the world. The graphic symbols, some self created, others functioning, give reference to African languages and patterns, brought together to give a precursor to the stories I present. I challenge the viewer to do their own personal research afterwards to find out more if they are not familiar.
I’m making this art right now because I feel its important to share the anecdotes of struggle and perseverance that have defined the Black race in concrete and impactful way. The world to me seems to have a short attention span, repeating destructive tendencies constantly. I see my work as a tool for looking back to move forward, to confront the questions head-on of how to grasp our shared humanity through the lens of Black existence.